The shot that makes people stop scrolling.

Two kinds of aircraft fly this work, and which one is in the air decides what the shot can do: a cinema rig for the smooth, stable, deliberate moves that carry an edit, FPV for the fast, close, kinetic ones a cinema drone physically can't fly. Both go up the same day when a project calls for it. Live jobs add an SDR downlink, so the feed reaches the production at 4K during the event instead of arriving as footage the next morning — which is what three seasons of ESPN and Tulsa Tough actually required.